I LIKE BIG BUTTS
Oh, my, God Becky, look at her butt
It is so big, she looks like
One of those rap guys’ girlfriends
But, ya know, who understands those rap guys?
They only talk to her, because,
She looks like a total prostitute, ‘kay?
I mean, her butt, is just so big
I can’t believe it’s just so round, it’s like out there
I mean gross, look
She’s just so, black
I like big butts and I can not lie
You other brothers can’t deny
That when a girl walks in with an itty bitty waist
And a round thing in your face
You get sprung, want to pull up tough
‘Cause you notice that butt was stuffed
Deep in the jeans she’s wearing
I’m hooked and I can’t stop staring
Oh baby, I want to get wit’cha
And take your picture
My homeboys tried to warn me
But with that butt you got makes (me so horny)
Ooh, Rump-o’-smooth-skin
You say you want to get in my Benz?
Well, use me, use me
‘Cause you ain’t that average groupie
I’ve seen her dancin’
To hell with romancin’
She’s sweat, wet,
Got it goin’ like a turbo ‘Vette
I’m tired of magazines
Sayin’ flat butts are the thing
Take the average black man and ask him that
She gotta pack much back
So, fellas (Yeah) Fellas (Yeah)
Has your girlfriend got the butt? (Hell yeah)
Tell ’em to shake it (Shake it) Shake it (Shake it)
Shake that healthy butt
Baby got back (L.A. fits with the Oakland booty)
It almost seemed that your “problem with English” is a part of performance in order to be more convincing, and actually there is no “problem with English” at all Goda
‘I find the Latin American history part missing and promissing. You are not explicitely giving your interpretation of history or specific interest in it; at the same time, it is implied in every statement you make. Being so complex now, It is amazing how much more complex your research can become!’ Goda
SEMIO CAPITALISM: “Semio-capital is in a crisis of overproduction, but the form of this crisis is not only economic but also psychopathic. Semio-capital, in fact, is not about the production of material goods, but about the production of psychic stimulation. The mental environment is saturated by signs that create a sort of continuous excitation, a permanent electrocution, which leads the individual as well as the collective mind to a state of collapse.” Franko ‘Bifo” Berardi
Socio technological construction: How different communication platforms cooperate in delivering the message of creating imaginaries. If you only know one language you no no language– as a metaphor on your focus on the creation of only one imaginary instead of many.
THE COLONIZING GAZE OF AND ON THE LATINA WOMAN
SELF GAZE
big bum
distorted self image
major lazer bubble butt
https://www.youtube.com/watch?v=wO89_H7GqaQ
sexpossure
https://www.youtube.com/watch?v=_JphDdGV2TU
I LIKE BIG BUTTS
Oh, my, God Becky, look at her butt
It is so big, she looks like
One of those rap guys’ girlfriends
But, ya know, who understands those rap guys?
They only talk to her, because,
She looks like a total prostitute, ‘kay?
I mean, her butt, is just so big
I can’t believe it’s just so round, it’s like out there
I mean gross, look
She’s just so, black
I like big butts and I can not lie
You other brothers can’t deny
That when a girl walks in with an itty bitty waist
And a round thing in your face
You get sprung, want to pull up tough
‘Cause you notice that butt was stuffed
Deep in the jeans she’s wearing
I’m hooked and I can’t stop staring
Oh baby, I want to get wit’cha
And take your picture
My homeboys tried to warn me
But with that butt you got makes (me so horny)
Ooh, Rump-o’-smooth-skin
You say you want to get in my Benz?
Well, use me, use me
‘Cause you ain’t that average groupie
I’ve seen her dancin’
To hell with romancin’
She’s sweat, wet,
Got it goin’ like a turbo ‘Vette
I’m tired of magazines
Sayin’ flat butts are the thing
Take the average black man and ask him that
She gotta pack much back
So, fellas (Yeah) Fellas (Yeah)
Has your girlfriend got the butt? (Hell yeah)
Tell ’em to shake it (Shake it) Shake it (Shake it)
Shake that healthy butt
Baby got back (L.A. fits with the Oakland booty)
Linguistic insuficience
Argentine in Brussels
I can not control my body
MUSIC
STATEGY
It almost seemed that your “problem with English” is a part of performance in order to be more convincing, and actually there is no “problem with English” at all Goda
Performance of silence
Internalised colonialism/panoptica
SOCIAL/POLITICAL GAZE
THE BODY AS TERRITORY-map it, colonise it, name it, demarcate it, glorify parts
exoticism
‘Colonial power produces the colonised as a fixed reality which is at once and other and yet entirely knowable and visible’ Homi. K. Bhabba
links for homi k bhabha
https://en.wikipedia.org/wiki/Homi_K._Bhabha
https://literariness.org/2016/04/08/homi-bhabhas-concept-of-hybridity/
https://prelectur.stanford.edu/lecturers/bhabha/mimicry.html
I can not control my body
body ASS territory
MUSIC
‘I find the Latin American history part missing and promissing. You are not explicitely giving your interpretation of history or specific interest in it; at the same time, it is implied in every statement you make. Being so complex now, It is amazing how much more complex your research can become!’ Goda
MARKET/MEDIA GAZE
distortion of self image
SEMIO CAPITALISM: “Semio-capital is in a crisis of overproduction, but the form of this crisis is not only economic but also psychopathic. Semio-capital, in fact, is not about the production of material goods, but about the production of psychic stimulation. The mental environment is saturated by signs that create a sort of continuous excitation, a permanent electrocution, which leads the individual as well as the collective mind to a state of collapse.” Franko ‘Bifo” Berardi
http://www.publicseminar.org/2015/06/franco-bifo-berardi/
colonisation is ‘thingification’
Socio technological construction: How different communication platforms cooperate in delivering the message of creating imaginaries. If you only know one language you no no language– as a metaphor on your focus on the creation of only one imaginary instead of many.
OBJECTIFICATION OF THE FAMALE FORM
Fetishization
MUSIC
dancing to oppression
raggaeton, Anita, J Lo,
‘Despacito’ Luis Fonsi
Latin History
https://www.youtube.com/watch?v=fQqNI5gMtic
The gaze seems crucial in Caternia’s work… It’s all about the ‘I’ and the ‘EYE’.
COLONIZING GAZE